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"The Troubling Thirst for Jeffrey Dahmer" Transcript

21 Oct 2022

A video essay on how hordes of white women are in love with serial killers, because James says so.

The Hunger, The Thirst (Thumbnail)

No Sympathy For The Devil (Opening Credits)

Dahmer

Finished
6
2
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You can view the archive of this video on the Internet Archive, on the Internet Archive, or on the Internet Archive

Auto-transcribed by YouTube, downloaded by TerraJRiley.
Formatted by tobicat.
Thanks to LVence and tobicat for tracking down and highlighting various sources.


  • Todd in the Shadows fact checks James on fangirls shipping Dahmer with others. (Jump to )
  • Todd also fact checks James's claim that there were hate mobs inspired by Dahmer. (Jump to )
  • The famous "hordes of white woman" quote. (Jump to )
  • James stops plagerizing for a moment to make up something about girls and Ted Bundy. (Jump to )


Video transcript is on the left. Plagiarized text is highlighted, as is misinformation. For more info, see how to read this site

Plagiarized article (Author, 2000)

Fact-checking commentary or found plagiarized content is on the right for comparison Plagiarized text is highlighted.


Oct 21, 2022 First published.
Dec 07, 2023 Privated post-callout.
May 8, 2024Channel deleted
As of Oct 21, 2022

There's always been an attraction to fictional monsters, but what happens when that monster is real?

PATREON: [link]

00:00 Introduction
03:04 Part 1 - Framed
11:09 Part 2 - In Frame
20:24 Part 3 - Re-Framed

#dahmer #KillingStalking #truecrime

 

We all like true crime. If the glut of true crime series is any indication, it's very suddenly become one of the most engaging forms of contemporary entertainment. And there's no sign of it stopping. From streaming to YouTube, to networks to podcasts, it seems the genre has yet to find its saturation point.

Mashable (Dubey, 2022) ¶ 1

We all love true crime. It’s one of the most fascinating genres of modern entertainment. It is also an ethical minefield. Yet we can’t help but gobble up every morsel of this genre that Netflix loads up on our plates.

Plagiarism Video (Hbombergy, 2023)

He's really extruding the original words here. He's put so much work into changing it, it might have been easier to write something from scratch.

In 2022, true crime shows are among Netflix's most watched, and the number of true crime shows on Netflix is rapidly growing. Between July of 2020 and March of 2021, the service launched 18 such series, with around 40 original shows currently available to watch on their true crime page.

Mashable (Dubey, 2022) ¶ 2

As of 2022, true crime is one of the most popular genres on Netflix. Between July 2020 and March 2021, Netflix released 18 true crime related showsand that number has only increased since. In fact, if you go on Netflix’s true crime page right now, you’ll see about 40 original shows right there for your viewing pleasure.

Since the release of Into the Deep and other popular documentaries on the service in recent years, such as Don't F**k With Cats, Making a Murderer, and Tiger King, Netflix has become particularly associated with the genre.

Mashable (Dubey, 2022) ¶ 3

With shows like Into the Deep and The Stranger, and the countless documentaries like Don’t F**k With Cats, Catching Killers, Making a Murderer, Crime Scene: The Vanishing at the Cecil Hotel, etc. that have come out within the last couple of years, Netflix has essentially become synonymous with this genre.

While true crime shows were once favored by older audiences, with shows like Dateline and 20/20 targeting those demographics specifically, they're now becoming increasingly popular among people my age and younger. And they raise a number of ethical questions, particularly for a streaming service like Netflix.

Mashable (Dubey, 2022) ¶ 4

While true crime is proving to be one of the fastest growing areas of entertainment among younger generations, it also brings with it a slew of ethical concerns – especially for Netflix.

The true crime series you put on to help you go to sleep at night - it's about a real person, often who have surviving relatives who don't consider their deceased loved one's murder to be very relaxing. Though we may know better, we devour every serving of this genre that is provided to us, in no small measure by Netflix.

Mashable (Dubey, 2022) ¶ 1

We all love true crime. It’s one of the most fascinating genres of modern entertainment. It is also an ethical minefield. Yet we can’t help but gobble up every morsel of this genre that Netflix loads up on our plates.

In September of 2022, Ryan Murphy and Ian Brennan released Monster: The Jeffrey Dahmer Story, starring Evan Peters as the titular serial killer. Over 196 million hours of the show were watched in the first week alone, making it the most popular show on the streaming service at the time of release. Furthermore, just like Joe Exotic, the "Tiger King", Dahmer has received a great deal of publicity for all the wrong reasons.

Mashable (Dubey, 2022) ¶ 5

In Sept. 2022, Netflix released a 10-part series co-created by Ryan Murphy and Ian Brennan about serial killer Jeffrey Dahmer called Monster: The Jeffrey Dahmer Story, which starred Evan Peters in the titular role. The show was watched for over 196 million hours within the first week itself, cementing its status as the number one show on the streaming platform at the time of publishing. And just like Tiger King in 2020, Dahmer has attracted a lot of attention for all the wrong reasons.

presented by
James Somerton

written by
James Somerton & Nick Herrgott

Executive Producers
[Six patron names]

Executive Producers
[Six more patron names]

Executive Producers
[Five patron names]

Edited & Directed by
James Somerton

No Sympathy For The Devil

part one framed

Despite Netflix's claims that the series will give notorious serial killer Jeffrey Dahmer's victims a voice, the show received harsh criticism for its portrayal of the victims upon its debut, with several of the victims' loved ones speaking out, saying Netflix didn't even involve them in the process.

Mashable (Dubey, 2022) ¶ 6

When Dahmer was released, strong criticism came for the shows' portrayal of the victims, even though Netflix claimed the series "will give notorious serial killer Jeffrey Dahmer’s victims a voice." However, family members of the victims have said Netflix did not consult them while making the drama. "I was never contacted about the show," Rita Isbell, the sister of Errol Lindsey, told Insider. "I feel like Netflix should've asked if we mind or how we felt about making it. They didn't ask me anything. They just did it."

Others have said that by hiring American Horror Story's Evan Peters, the object of many a girl's and gay boy's affection, the show has glamorized Dahmer himself. After the Netflix series premiered and Peter's portrayal of the character went viral, the actual glasses that Dahmer wore in prison were auctioned off for $150,000.

Mashable (Dubey, 2022) ¶ 7

The show has also glorified Dahmer by casting the American Horror Story actor who is well known for playing the creepy crush in the horror television series. Following the release of the Netflix series and Peters' representation of the serial murderer, Dahmer’s actual glasses that he wore in prison went on sale for $150,000.

We've romanced[sic: romanticized?] the serial killer for a long time. Mads Mikkelsen's portrayal of Hannibal Lecter in the criminally canceled show Hannibal is a great example of this. Thomas Harris' bread and butter character is fictional, and not only fictional but such a carnivalesque mix of sophistication, intellect, and brutality that I couldn't really say it passes for realistic. Hannibal lacks the quiet chaos that real life serial killers possess. Though Dahmer was also a cannibal serial killer, he lacked the "eat the rude" principles that Hannibal Lecter lived by.

Hardly a principled serial killer himself, Dahmer lacked Lecter's discipline to stop at just cannibalism, and also engaged in necrophilia and pedophilia. But the major difference between the two is that Hannibal Lecter's victims are all as fictional as he is, and so are the families of his victims. That is not the case for Dahmer's victims. It can be a lot to deal with, seeing the man who murdered your son or brother be glorified on billboards and ads on YouTube. Imagine getting that jump scare when you're looking up a cake decorating tutorial.

Mashable (Dubey, 2022) ¶ 8

Lest we forget, Dahmer was a serial killer, necrophile, paedophile, and a cannibal. What might be entertaining for viewers is deeply traumatising for the families of those affected by the crimes being reenacted on screen.

Navigating the ethics of true crime content is tricky. There is a fine line drawn between real life procedural cop dramas and celebrating the infamous. Critics have begun to question the need for entertainment mediums which fetishize or even sexualize serial killers (in the last three years alone, we've seen multiple films about Ted Bundy, with two of them coming from Netflix, one of them starring Zac Efron.) A whole new generation of girls fell head over heels for the infamous killer, which was a grim remake in itself of the real life Ted Bundy trial. He had fangirls defending him in the press and even begging to marry him. After the release of the Zac Efron movie, Extremely Wicked, Shockingly Evil, and Vile, Netflix's social media team actually begged viewers to stop stanning Bundy.

Mashable (Dubey, 2022) ¶ 9

Navigating the ethics of true crime content is tricky. People online have questioned the need for entertainment channels to continue fetishising — and even sexualising — serial killers (in the last three years, we’ve seen multiple movies/shows about Ted Bundy alone and notably, at least two of these came from Netflix — Berlinger's Bundy biopic starring Zac Efron, titled Extremely Wicked, Shockingly Evil, and Vile, and Joe Berlinger's four-part docuseries, Conversations with a Killer: The Ted Bundy Tapes) and how it causes the victims’ families to relive traumatic experiences over and over again. Weirdly, Netflix actually seems to be aware of this, as the company's social team begged viewers to stop stanning Bundy after the aforementioned releases in 2019.

Plagiarism Video (Hbombergy, 2023)

But he couldn't stop himself from also complaining about women being into Ted Bundy who did murder women. He goes off script from the article he's stealing for that section to complain about it even more.

He added a whole new bit fantasizing about millennial girls' attraction to a serial killer when, like, no, they were attracted to Zac Efron, the famously attractive celebrity actor.

But unlike Bundy, nobody ever thirsted for Jeffrey Dahmer when he was on trial or in prison, at least not as publicly as with Bundy. But that seems to have changed now. There is a thirst for Dahmer made apparent on TikTok and Twitter, with hordes of white women droning over how attractive he is, because the message we need to send is that violent crime can turn a 5 into an 11. Again, both Bundy and Dahmer were serial killers who tortured and murdered dozens of people whose families are still alive and can see these tweets and posts on TikTok.

Mashable (Dubey, 2022) ¶ 10

Now, people are thirsting for Dahmer by posting TikToks and tweeting about his supposed attractiveness. Again, both Bundy and Dahmer were serial killers who tortured and murdered dozens of people whose families are still alive and can see those gross tweets and TikToks.

Plagiarism Video (Hbombergy, 2023)

Kat asked me before I play this part to ask you to pay specific attention to the change he makes here.

[The changes between the article and the video are displayed visually, before the major addition, "with hordes of white women droning over how attractive he is" is superimpoesd in huge red letters.]

This change is part of a running theme throughout Somerton's work. Um, misogyny?

The Dahmer tag on TikTok now has more than one billion views

[A screenshot of the #dahmer tag on TikTok, with a red oval around "6.1B views" and text superimposed below reading "More than 6 billion now 0_0"]

with users posting videos expressing lust and even sympathy for the killer. Others have re-edited scenes from the series to resemble a romantic comedy, with many users commenting that they were "rooting for" Dahmer and at least one victim to live happily ever after.

LGBTQ Nation (Russell, 2022) ¶ 4-5

https://www.lgbtqnation.com/2022/09/women-tiktok-thirsting-jeffrey-dahmer-netflixs-new-series/ 4-5

According to The Daily Dot, the “Dahmer” tag on TikTok now has more than one billion views, with users posting videos expressing lust and even sympathy for the killer.

Others have re-edited scenes from the series to resemble a romantic comedy, with many users commenting that they were “rooting for” Dahmer and victim Anthony Hughes to live happily ever after.

Oh god, that sounds familiar.

[Distorted music plays; pan up on the last panel of Killing Stalking Chapter One. The screen shakes and a low drone plays before cutting back to James.]

In April of 2021, I released a video looking at the controversial Korean manhwa Killing Stalking, the story of a young man who is abducted by a maniacal serial killer and over the course of the series falls madly in love with him. The series ends with them both (presumed) dead.

The audience for Killing Stalking seemed to be split between people who enjoy dark complex horror stories (me) and teenage girls who were rooting for Yoon Bum and his captor, Oh Sangwoo... to come out of it as a happy couple. Because if you talk to a social worker, working out your problems with a violent abuser and finding some common ground is absolutely... not the objective.

tobicat

[eyeroll]

[TODO Expand --tustin2121]

I wasn't disturbed that people romanticized a fictional serial killer. Like I said, Hannibal Lecter has been romanticized even by his own creator. Granted, Fannibals were a little bit more... measured in their shipping of Will Graham and Hannibal Lecter, a ship name referred to as Hannigram. Instances of Will and Hannibal as a happy couple were usually depicted in alternate realities, where they could be together. Fans recognized that this was impossible in the canonical world the characters lived in, but the chemistry was so intense an AU for them had to be created. This nuance did not... does not seem to be present in much of the Killing Stalking fandom, where the fervor for the violent deranged serial killer Oh Sangwoo was almost exclusively derived from how sexy he looked.

So... should I be surprised that there is a visceral thirst for Dahmer coming from the same age group? No. Am I shocked anyway? Yes, shocked, and disappointed, and grossed out, and uncomfortable. Because unlike Hannibal Lecter or Oh Sangwoo, Jeffrey Dahmer was a real person, and his victims were real people with real friends and real families who grieved for the loss of their loved ones, who were already going through a rough time seeing the story of their murders brought back to light by a major Netflix series. And now have to deal with a sizable portion of the Internet talking about how cute or handsome Jeffrey Dahmer was, and how he deserved a break because they "get" him.

Honeys, among other things he wanted sex slaves. Sex slaves. And not in a fun, consensual, kink kind of a way, he enjoyed conducting chemical lobotomies to get what he wanted. Is there really a "I can change him mentality" to approaching these serial killers? That all he needs is the right person to change? That killing people and the other stuff is just a little wuirk that you can iron out? I know women who have been trying to get their men to wash their beard trimmings out of the bathroom sink for years with no luck, I don't know where you think you're gonna get with "stop being a psycho."

The true crime genre has rightly received its fair share of criticism for turning gruesome crimes into entertainment at the expense of the well-being of survivors. And perhaps there needs to be real action taken to address that. However, this delusional wave of people announcing that they are not disturbed by Dahmer's crimes feels like a whole new level of desensitization, They even say that the things we see him doing in the series really aren't that bad. [mockingly] Dahmer is just a little boy with doe eyes, misunderstood by everyone but them. They're not like other girls, they can handle a 14-year-old boy getting dismembered.

Jezebel (Ashcraft, 2022) ¶ 4

https://jezebel.com/thirsting-for-jeffrey-dahmer-is-heinous-dont-do-it-1849609819 4

People finding serial killers attractive dates back further than the advent of DNA testing. There’s a real and delusional “I can change them” or “they wouldn’t murder me” mentality at play. And while the true crime genre has rightly received its fair share of criticism for transforming gruesome crimes into entertainment at the expense of the well-being of survivors, people announcing they they are “unbothered” by Dahmer’s crimes feels like a new level of desensitization. These two reactions seemingly go hand in hand, showcasing that consumers of serial killer content are eager to express that they not only think there’s attractive qualities to Dahmer, but that the stuff the series is showing him doing really ain’t that bad! Dahmer’s but a little doe eyed boy, misunderstood by everyone except for me! I’m not like other girls, I can handle watching a 14-year-old boy be dismembered! These people are right, I guess, in that they aren’t like others, because most people don’t find themselves horny while watching human beings be tortured and eaten.

Is this a problem with media itself? Has the American pop culture fiction cycle pushed the role of the main character to be something warranting empathy and understanding without exception? Among the tropes, structures, and sensibilities of American fictions, is it just automatically taken for granted that the main character is an empathizable figure whose role, through any despicable actions, is ultimately redemption?

One of the parts of this odd phenomenon that I've noticed is that while girls of a certain age are acting like Jeffrey Dahmer was Harry Styles, not everyone is lining up with them. And by everyone, I mean the gays... You know, his victims.

part two in frame

We gays are notorious for thirsting over guys we really shouldn't, and also for being obsessed with true crime. But this seems to be one of the few exceptions, and for good reason. Gay men have been living under the shadow of Jeffrey Dahmer for as long as I've been alive. As the AIDS crisis was running rampant, and the community was only just starting to receive any large scale sympathy from the hetero majority, up pops the news of this gay male serial killer, who isn't just killing his victims, but zombifying them, eating them, and melting their bodies in vats of acid. He was a harsh example of what straight people always said we were, that we were deviants and monsters, never to be trusted. And he was the perfect poster child for this, a nearly unparalleled monster.

Nobody talked about the fact that the reason he got away with his crimes for so long was because he was targeting gay men, especially men of color, two groups the police notoriously couldn't give two shits about helping. People only talked about the cannibal queer and how certainly he wouldn't be the last to rise up to this prominence. The most disturbing aspect is how he was able to carry on his career for as long as he did. By picking gay men of color, he was able to escape the scrutiny of law enforcement. Dahmer for this reason is an uncomfortable reminder, not only of violence against the community, but that members of the community can be a horrible detriment to our reputation. And a reminder that not very long ago, we weren't worth the law's time, that we were nobodies to everybody, and it didn't matter how loud we screamed, the world had us on mute.

And in many sections of the United States, this fear of gay men never went away. Even today these people are influenced by Dahmer when they fight against gay rights. They associate his heinous crimes with others in the queer community, because if one of us could be a monster, that means we all could be. After the discovery of Dahmer's crimes, there was a rash of hate crimes against gay men across the United States, with vigilante mobs out to make sure that the next Jeffrey Dahmer, the next monster queer, wouldn't get a chance to find his victims.

Fact Check (Todd in the Shadows, 2023)

7. Jeffrey Dahmer inspired violent hate mobs

Okay, I did a lot of hunting for these supposed anti-gay hate mobs and I came up with a big ol' nothing. The closest thing I found was a reference to a spike in hate crimes in Milwaukee after Dahmer was arrested there1, but that turned out to be mostly harassment, not violence. The only violence it mentioned was school bullying.2

So if Somerton is talking about stuff that happened elsewhere, or he means like a more indirect link between hate crimes and Dahmer, uh I- I can't prove or disprove that without more details about what he's referring to. But, I would point out that anti-gay bigots were mostly pro-Dahmer, not anti.2 The popular perception of Dahmer was as a killer of gay men, not a gay man himself.1 That was a relatively obscure detail until recently. [A screenshot of a collection of tweets of users admitting they didn't know that Dahmer was gay.] At the time hate groups would do things like call Dahmer a hero, or they'd invoke him as a threat against gay people2 the same way neo-nazis invoke Hitler to threaten Jews.

In fact, Somerton himself talks later in the video about how Dahmer's homosexuality was buried in the news coverage. Yeah, so while I cannot be 100% sure on this one, I think the evidence I found points to these mobs being made up.

And so the queer community, especially gay men, have lived with Dahmer's spectre for three decades. So you'd be hard-pressed to find a lot of gay men thirsting over the killer online. Evan Peters, yes, we've been drooling over him since he first showed up in American Horror Story, but not the actual Jeffrey Dahmer, and not Evan Peters' portrayal of Jeffrey Dahmer.

In fact, there was a huge pushback when the series was released because it was tagged as LGBTQ on Netflix, presumably because of Dahmer's own sexuality and the sexualities of his victims. But while the queer community fights back against a renewed push to remove our rights, do we want people seeing LGBTQ tagged to Jeffrey [silenced] Fucking Dahmer when they're browsing Netflix? No.

And so the community, in a rare moment of agreement, demanded Netflix remove the tag. And they did, which considering Netflix's pig-headedness when it comes to defending transphobic comedians on their platform, kind of shocked me. They're not exactly well known for doing what the queer community asks of them these days. They probably had the wherewithal to realize that Dahmer's existence as a serial killer was due in large part to homophobia and racism, so they didn't want to stick their hand into that particular hornet's nest.

This is a telling that at least doesn't completely ignore Dahmer's effect on the gay black community. They've had to dodge a lot of queer-related controversies this year; this is among one of the easier ones to resolve.

Typical accounts of his murder spree usually overlook the fact that queer communities of color were easy targets for Dahmer due to long-standing patterns of police violence and especially indifference in major cities across the Midwest.

Washington Post (King-Carol, 2022) ¶ 3

Typical depictions of his killing frenzy fail to note how LGBTQ communities of color were easy prey for Dahmer — and for many others, not just serial killers — because of deep-seated histories of police violence and indifference in urban centers throughout the Midwest and the Rust Belt. Without this element, the story is incomplete and sacrifices a chance to reckon with a major societal problem.

Similar to what happened in many cities after World War II, Milwaukee, where Dahmer committed the majority of his murders, saw an increase in the visibility of its gay communities. Nearly 1,000 gay men called Milwaukee home, according to a study conducted by the city's influential crime prevention body, the Metropolitan Commission on Crime Prevention, during the war. As word spread about them, more arrests and convictions were made in the city.

Washington Post (King-Carol, 2022) ¶ 4

As with many other cities after World War II, Milwaukee saw an increase in the public visibility of LGBTQ communities. During the war, the city’s Metropolitan Commission on Crime Prevention (MCCP), an influential crime prevention body composed of the city’s civic leaders, conducted a study of gay life in Milwaukee and found that nearly 1,000 gay men called the city home. Their increased visibility in the city led to more policing and convictions. A February 1945 report showed that 871 men had been convicted of sodomy in the city since 1938 — with the number of convictions rising from 72 men in 1938 to 198 in 1944.

During this time the city's Black population also grew as a result of the Second Great Migration, an exodus of African Americans from the South, spurred by The increased demand for manufacturing goods during the Second World War.

Washington Post (King-Carol, 2022) ¶ 5

The city’s Black population also increased during this period because of the Black exodus from the South known as the Second Great Migration, due to industrial growth generated by wartime manufacturing necessities. After World War II, Blacks from states such as Mississippi and Arkansas migrated to Milwaukee seeking better job opportunities. The city’s Black population more than doubled over 10 years, growing from 8,821 in 1940 to 21,722 by 1950.

Milwaukee cops happily targeted these new growing communities as well, in spite of the fact that they were directly contributing... to the war effort...?

Washington Post (King-Carol, 2022) ¶ 7

Milwaukee law enforcement targeted the city’s growing Black community, building on a long history of policing Black people for their intimate and sexual practices in urban areas throughout the country. For instance, heterosexual Black-White interracial relationships were frequently targeted by the city’s newspapers and the police.

The media also played a role in the criminalization of City residents who were seen as leading immoral lifestyles. The Milwaukee Journal's editorials from the 1940s frequently used terms like "slaves of lust" and "menace of sex perverts" to describe the emerging gay community. It also supported the Metropolitan Commission on Crime Prevention's 1946 "Sexual Psychopath Law," which would have institutionalized "overt homosexuals" until their deviant behavior was "cured or otherwise." Otherwise meaning dead.

Washington Post (King-Carol, 2022) ¶ 9

The media also helped spur the criminalization of the city’s residents considered to be living morally offensive lives. In the 1940s, the Milwaukee Journal frequently used phrases such as “slaves of lust” and “menace of sex perverts” in editorials discussing the growing LGBTQ culture and other forms of “deviant” sexuality. It was also a proponent of a sexual psychopath law introduced by the MCCP in 1946 that would allow the “overt homosexual” to be committed to an institution until they were cured of their purported deviancy.

tobicat

I cannot find any documentation of the phrasing "cured or otherwise" being used anywhere. For more information on the sexual psychopath laws and other elements of gay history in Wisconsin, see R. Richard Wagner's We’ve Been Here All Along: Wisconsin’s Early Gay History (2019). The relevant section of the book can also be found in Wagner's 2014 article "Diversionary Tactics: J. Edgar Hoover and the 1940s war on sex crimes in Wisconsin." The Washington Post article seems to be paraphrasing this section from there, based on the specific phrases used, though it is not cited. (compare paragraph 17-18)

To diffuse the threat of a growing minority presence, these sexual psychopath laws were introduced and passed in places like Milwaukee as the gay community grew in prominence, and as more African Americans relocated there. Black people were not safe from these sexual psychopath laws, because as far as police were concerned, interracial relationships were just as bad as gay ones.

Washington Post (King-Carol, 2022) ¶ 10

As LGBTQ people became more visible and Blacks migrated in higher numbers to cities such as Milwaukee, it helped justify the introduction and passage of such repressive sexual psychopath laws, which were designed to “diffuse the threat of a growing minority presence.” Wisconsin was among the 12 states that passed such laws between 1937 and 1950.

Because of the city's changing demographics, Milwaukee's police department created new units to better defend White, straight residents from Black and other minority groups.

Washington Post (King-Carol, 2022) ¶ 11

The shifts in urban demographics also prompted Milwaukee law enforcement to develop new police units that would protect the interests of the city’s White community against Black Milwaukeeans and other marginalized communities, like LGBTQ and Latino people.

In the 1960s, the Fifth Police District in the city's predominantly Black Northside had four and a half times as many officers as the adjacent majority-White district.

Washington Post (King-Carol, 2022) ¶ 12

By the 1960s, there were four and a half times as many police stationed in the Fifth Police District in the city’s predominantly Black Northside compared with its neighboring majority-White district. Years of incidents of police violence against Black residents compounded this over-policing. One such case was the 1958 murder of a Black man named Daniel Bell. White police officer Thomas Grady shot Bell in the back and planted a knife on him. After a 20-year police coverup, Grady confessed in 1979 and was convicted of reckless homicide and perjury.

This kind of terror against Black Milwaukee residents created a culture of fear and distrust between the police and Black and queer people, who often hesitated to report crimes committed against them - which helps explain how someone like Dahmer could go relatively unnoticed or unpunished for so long. Plus a municipal statute from 1911 called "The Freeloader Clause" barred people who did not own property from filing complaints against the police with the Fire and Police Commission, so many Black renters assumed their cries for help would fall on deaf ears.

Washington Post (King-Carol, 2022) ¶ 13

This kind of terror against Black Milwaukeeans created a culture of fear and distrust between the police and Black people, who often hesitated to report crimes committed against them — which helps explain how someone like Dahmer could go relatively unnoticed or unpunished for so long. Many Black people feared that their pleas for help would go unheard, especially with an antiquated 1911 municipal statute in place called the “freeholder clause” that prohibited anyone who did not own property from filing complaints against the police with the Fire and Police Commission. That statute was in effect until 1967.

These long histories of anti-Black and anti-queer violence created in an environment where Dahmer could murder 17 Black, Indigenous, Asian, Latino, and gay men and boys with little pushback. Many were particularly susceptible to Dahmer and his tactics because of decades of the city's structured racism and homophobia.

Washington Post (King-Carol, 2022) ¶ 16

Altogether, these long histories of anti-Black and anti-LGBTQ violence created an environment where Dahmer could murder 15 Black, Indigenous, Asian and Latino men and boys who were LGBTQ or “in the life” in a span of four years. Many were particularly susceptible to Dahmer and his tactics because of decades of the city’s structured racism and homophobia.

tobicat

James feels this bizarre need to change the numbers here, and to replace "LGBTQ" with "gay." Anyway, Dahmer did have 17 victims total, from what I could find the first two and the last one were white. I don't know if the white victims were gay or not.

Today we know that there were many instances in which the police could have intervened but did not. In one instance, officers John A. Balcerzak and Joseph Gabrish had the opportunity to rescue a disoriented, unclothed and bleeding 14-year-old boy from Dahmer. However, they took the killer at his word that the child was actually 19 and just drunk. No probing, no investigation. Although Balcerzak and Gabrish were eventually fired for their actions, they were reinstated with back pay in 1994. Balcerzak had a long career in the police department, serving as president of the Milwaukee Police Association from 2005 to 2009, before retiring in 2017. 2017. Five years ago. And people question why Pride organizations don't want police officers to participate in uniform.

Washington Post (King-Carol, 2022) ¶ 17-18

Today we know there were many instances in which the police could have intervened but did not do so. In one instance, officers John A. Balcerzak and Joseph T. Gabrish had the opportunity to rescue a disoriented, unclothed and bleeding 14-year-old Konerak Sinthasomphone — a Laotian boy who had managed to escape Dahmer’s apartment and was found in the street.

Dahmer convinced the officers that Sinthasomphone was his 19-year-old lover, and the two had only had a spat — despite the protestations of a Black neighbor named Glenda Cleveland and her female relatives who had attempted to rescue the teenager. The officers threatened the Black women with arrest for meddling and Sinthasomphone was returned to Dahmer, who soon murdered him. Although Balcerzak and Gabrish were eventually fired for their actions, they were reinstated with back pay in 1994. Balcerzak had a long career in the police department, serving as president of the Milwaukee Police Association from 2005 to 2009, before retiring in 2017.

Over the years and the many retellings of the Dahmer story, his victims have been described as "street urchins," "drug addicts," and "people not unfamiliar with their own brushes with the law." As if that should justify the heinous things done to them. Creating a sense that they were far from innocent victims allows most people to look at the crime spree as the actions of one queer psychopath.

Washington Post (King-Carol, 2022) ¶ 19-20

The erasure of this side of the story has been decades in the making. Depictions of the Dahmer case have mentioned victims’ own “brushes with the law”implying that they were something less than innocent victims. Such accounts diminished the violence against victims, and they continue to shape and inspire various cultural products about Dahmer.

The constant retellings of the Dahmer story will be incomplete — and potentially damaging — unless they include this side of the story. The long history of police violence and indifference toward the city’s Black and LGBTQ communities enabled the murders by reducing the odds of police intervention. Today, Milwaukee is frequently cited as one of the worst places in the country to be Black. But despite this reality, instead of seeing an accurate portrayal of the Dahmer story, we now have another Hollywood profile that serves to elide the histories and conditions that allowed Dahmer to enter a racially marginalized community and murder some of its most vulnerable members.

tobicat

I couldn't find any of James' "quoted" phrases in anything having to do with Dahmer's victims. I don't know, maybe they're out there.

If he only targets people who have it comin', then there's no cause for concern if you live by the straight and narrow. Regardless of how this betrays malice and laziness on the police force, culminating in decades of police abuse and neglect. How many other people disappear because the police don't think they're worth their time? How many that we never, ever hear about? It was almost a trope in the gay villages of big cities. Young gay men and trans people just going missing, and no one investigating it. Many hoped they'd just packed up and moved home, but most knew it was never something quite so innocent. Talk to the elders in your local queer community. They remember.

part three re-framed

But even with all of this knowledge of neglect, heartbreak, disappearances, lost and destroyed lives, all of it freely available to anyone who can type Google into an internet browser, the thirst for Dahmer is real.

Despite his cannibalism, despite the decades long erasure of his victims, these women (and mostly teenage girls) are swooning over him. And why not? To our knowledge, Dahmer never killed any teenage girls or any women at all, so there's a level of disconnection, just like with Killing Stalking. Would the teenage fans of Killing Stalking be so in love with Oh Sangwoo if they were watching him spend each issue horrifically torturing and murdering a woman? He kills women in the series, multiple in fact, but they're barely side characters. Yoon Bum is the main event. And in my opinion, because Yoon Bum is a man, female readers are able to take in a horror story without facing the true horror of it.

Plagiarism Video (Hbombergy, 2023)

[A screenshot of a Google Doc, containing this part of the transcript, highlighted, with a corresponding comment by Kat Lo, "this is just ranting about women, I assume it's James"]

In the parts of James' videos that he actually writes himself or rewrites after stealing, he really doesn't like women.

I didn't wanna open this can of worms, but the thesis of the stuff he stole for this video gets completely fucked up by his rants about women being attracted to serial killers. He argues women are only attracted to Dahmer because he killed gay men and not women, which makes it easier for them to ignore the brutality of his crimes, and if he'd killed women, they wouldn't be so thirsty.

Women are attracted to the wrong serial killer. How terrible. [...] This was a stupid tangent to begin with, but now his own video contains examples of women fancying a serial killer who killed women, so his rant about women loving Dahmer because he didn't kill women makes no sense.

Because unfortunately to this day, many women still see gay men as nothing more than a fancy accessory, especially teenage girls who lust for the perfect gay best friend. A boy whose sex life is secret, so you never have to hear about it. But he's always there to tell you if your boyfriend's being a jerk. Gay men and boys as a purse or a fancy iPhone case. Something to show off, but ultimately, something disposable.

Plagiarism Video (Hbombergy, 2023)

Really, he just wanted an excuse to complain women see their gay friends as disposable.

What teenage girl did this to you in high school, James? And why are you inserting fan fiction about her into an article you stole instead of going to therapy?

This is the only new stuff he wrote. The rest is stolen. This is all he has to say! What the fuck is wrong with this guy?

And we get an extra layer of that with Dahmer's victims, since the vast majority of them were not white, but the vast majority of Dahmer's thirsters online are white, there's further license for disconnection. They get to look at them even less like people than if they were white gay men. It's telling that the person fans ship Dahmer with the most is Stephen Hicks, his first and whitest victim.

Fact Check (Todd in the Shadows, 2023)

17. Weird Dahmer fangirls are shipping him with his first victim

So he's making a point that the weird Jeffrey Dahmer fandom is not just creepy, but also homophobic and racist, since they're so disrespectful to Dahmer's victims, most of whom were gay men of color. I think that's a fair point.

But then Somerton backs it up by pointing out how these fans ship Dahmer with his only straight white victim, Steven Hicks. I decided to go see this quote unquote "popular" ship for myself, uh, and I spent my morning searching through the dark corners of Twitter, Reddit, TikTok, Facebook, AO3, Wattpad, LiveJournal, FanFiction.net, and based on what I saw, I don't think shipping is actually a huge part of this fandom. Unless you count shipping with yourself, 'cause a lot of people wanna fuck Jeffrey Dahmer.

But to the extent that it is, the most popular pairing appears to be with one of Dahmer's Black victims, Tony Hughes. Now that ship mostly took off after Somerton's video. Before that, the most popular ships, uh, seem to be with other serial killers like Ted Bundy or Richard Ramirez, with the actor Evan Peters who plays Dahmer in the TV show, and with childhood friend John Backderf who wrote the comic My Friend Dahmer about him.

I also saw all sorts of one-off crack pairings like with Harry Styles, Eleven from Stranger Things, Chainsaw Man, a character from Teen Wolf, a member of the K-pop group TXT, a character from Danganronpa [picture of Komaeda Nagito], Pip from South Park, at which point I decided I had to stop looking at this shit, but I didn't see a single one involving Steven Hicks. Uh, you can say many things about Dahmer fans, this isn't one of them. If they are racist, this isn't why.

And while I am far from opposed to queer villains in media, I do wonder how smart it is to drop this story onto such a large platform when the gay community is already seeing an increase in hate crimes and anti-gay laws across the United States.

The media's initial reporting on the Dahmer case was entangled in a subtle but pervasive homophobic logic, even as it denied having any such effect. Lesbian and gay activists in Milwaukee and elsewhere protested strongly against initial references to the Dahmer murders as "homosexual overkill" by public officials and the mainstream press, arguing that Dahmer's actions were no more representative of the homosexual community than the killings of a heterosexual serial killer would be representative of the heterosexual community. Thus, the term "homosexual overkill" served to normalize heterosexuality, even heterosexual serial killers, while pathologizing homosexuality. The media surprisingly responded quickly to the protests, and the phrase "homosexual overkill" was quickly removed from coverage of the case. In fact, it appears that the media became so concerned that their reports not appear homophobic, that they largely dropped any mention of Dahmer's sexual orientation. Even at Dahmer's trial, his sexual orientation barely registered as an issue.

Racialization of Sexuality (Barnard, 2000) p.69-70

Media coverage of the Dahmer case was imbricated in a sustained and complex logic of homophobia at the same time that it actively disavowed any homophobic intentions and effects. Initial references to the Dahmer murders as "homosexual overkill" by public officials and the mainstream press were vigorously protested by lesbian and gay activists in Milwaukee and elsewhere, who pointed out that Dahmer's actions were no more representatively homosexual than a heterosexual serial killer's killings would be representatively heterosexual, but that those who used the phrase "homosexual overkill" would never have used the term "heterosexual overkill" to characterize a heterosexual mass murderer.2 The phrase "homosexual overkill" was thus, once more, naturalizing heterosexuality and pathologizing homosexuality. Members of the media responded to the protests surprisingly quickly, and the term "homosexual overkill" was soon dropped from reports on the case. In fact, the media seemed to become so concerned that their reports not appear homophobic, that all references to Dahmer's sexual orientation also disappeared from most coverage of the case. Dahmer's gayness was also hardly mentioned at his trial.

2 For chronicles of the initial homophobic coverage of the Dahmer case in Milwaukee, see Schmidt (1994), Peck (1993). The term "homosexual overkill" had previously been used by the Milwaukee County medical examiner to describe the 1990 murder of James Madden by Joachim Dressler: Dressler shot Madden and mutilated his body (Peck [1993], 55).

Those who advocated for gay assimilation praised this development. According to this line of thinking, bringing up Dahmer's sexuality in media coverage of the murders was inappropriate because it had nothing to do with why he became a serial killer. But if Dahmer's sexual orientation could not be mentioned, neither could institutional homophobia. Which was a problem. Given the overwhelming evidence that Dahmer had internalized societal homophobia to such an extent that he felt guilt, shame, discomfort, and hatred about his own homosexuality, a logical though extreme result of these feelings could have been the urge to kill those to whom he was sexually attracted. In a twisted way, I could perhaps understand how someone would think that having male zombies for sex and sex only would separate him from all the other trappings of the gay lifestyle. However, with his sexuality out of the question, society would have to take no blame for the killings.

Racialization of Sexuality (Barnard, 2000) p.70=71

https://digitalcommons.chapman.edu/cgi/viewcontent.cgi?article=1018&context=english_books 70-71

This change was welcomed by those espousing a liberal politics of assimilation. Dahmer's sexual orientation had nothing to do with his becoming a serial killer, the argument went, so references to his sexual orientation were inappropriate in media coverage of the killings. But if Dahmer's sexual orientation could not be mentioned, neither could institutional homophobia. Liberal celebrations of individualism generally identify prejudice and success as manifestations of personal achievements or failings, and so can only look at individuals as repositories of humanistic or anti-egalitarian values, rather than at the formation of these individuals through socially constructed and institutionally enforced power relations. The result, then, of media attempts at liberal tolerance was that the occlusion of Dahmer's gayness also occluded the identification and discussion of societal homophobia in general, and specifically of the external and internalized homophobia that might have contributed to Dahmer's development as a serial killer, of Dahmer's own homophobia that might have led him to kill gay men, of the possible effects of homophobia on the men whom Dahmer killed, and of the possibility that institutional homophobia might have made them more accessible to the murderous Dahmer.3 Of course, I cannot conclusively assert that Dahmer's homosexuality turned him into a serial killer, but such a teleology is possible, given the overwhelming evidence that Dahmer had internalized societal homophobia to such an extent that he felt guilt, shame, discomfort, and hatred about his own homosexuality, and that a logical result of these feelings could have been the urge to destroy those with whom he attempted to satisfy his proscribed sexual desires.4 However, with gayness out of the way, Dahmer could be constructed as an inexcusable monster, and the society around him could escape being implicated in his crimes.5

3 Only a few writers lamented the fact that homophobia had not been put on trial with Jeffrey Dahmer. Schmidt (1994, 84) documents this argument.

4 Every account of the Dahmer case that I have read and that mentions Dahmer's gayness, points out that for almost all of his adult life Dahmer was unable to accept his homosexuality, and made disparaging remarks against other gay men. For an unusually explicit account of the role that internalized homophobia might have played in Dahmer's killings, see "Debate Rages" (1992, especially page 26). One exception to these accounts comes from Dahmer's attorney, who claimed at Dahmer's trial that his client had as an adolescent "discovered and accepted his homosexuality" (Trial [1992]). Dahmer did perhaps accept his sexuality near the end of his life. His probation officer noted in 1991, Dahmer "had admitted to self he is gay. Told agent that's the way he is so 'fuck it'" (Davis [1992], 129; Norris [1992], 219; Schwartz [1992], 84; Dvorchak & Holewa [1991], 158).

5 My imputation that Dahmer's sexual orientation should have been publicly discussed would apply equally to a heterosexual serial killer; I certainly would not want to imply that a straight serial killer should be referred to as a "serial killer" while a gay serial killer is called a "gay serial killer," or that heterosexuality as an institution and as a state could not be a murderous shaping influence for a straight serial killer. Homophobia might play a part in the actions of both the gay and straight serial killers.

The few reporters who did discuss homophobia and Dahmer's gayness (mostly in LGBT magazines) tended to ignore the fact that Dahmer was white. The reluctance to discuss interracial sex in light of the Dahmer murders can be interpreted as a sign of shame, and fear of having one's sexual orientation linked to racism, or both.

Racialization of Sexuality (Barnard, 2000) p.71

During and after Dahmer's trial, the few reporters who did discuss homophobia and Dahmer's gayness (primarily in the gay media) tended to ignore the fact that Dahmer was white and that all but three of the seventeen men he murdered were of color. This reticence was presumably a sign of embarrassment, a dread of having gayness associated with racism, or a fear of talking about interracial sex in the context of the Dahmer murders. The habit of partializing identity or of assigning individuals separate racial, gender, and sexual identities, in turn, makes it impossible to speak of Dahmer as white, male, and gay or of those he murdered as gay men of color. Usually the lineaments of white gayness are not difficult to identify. Even though the racial component of this identity is often assumed rather than articulated, gay whiteness is nevertheless normalized to such an extent that gayness is thought of only in terms of whiteness, and queer identities of color become literally unthinkable. In the case of Dahmer, though, the specification of whiteness becomes much more difficult because of the immediately and explicitly monstrous and racist connotations that whiteness takes on in this context. [...]

According to several of Dahmer's acquaintances, he displayed a deep-seated bigotry toward African Americans and made racist comments about black gay men in particular.

Racialization of Sexuality (Barnard, 2000) p.72

Many of Dahmer's acquaintances report that he seemed to hate black people (and black gay men, in particular), and frequently referred to black people with racist slurs. Further, Dahmer's racial consciousness was demonstrated in his claim that he thought that Jamie Doxtator, whom he had lured to his grandmother's house in 1988 and killed, was "Hispanic" (Doxtator was Native American). Doxtator's mother later told reporters that she was initially relieved to hear that those Dahmer had killed were "black, Hispanic, and Laotian,"7 since she then mistakenly believed that her Native American son was safe. Both Dahmer's and Doxtator's mother's accounts suggest that race was very much at issue, and that Dahmer was actively thinking of race when he brought men of color to his home prior to killing them. In addition, it seems that Dahmer's victims were mostly poor and might have felt neglected and vulnerable in other ways, too: institutional racism produces a disproportionately high ratio of poverty, neglect, and vulnerability among people of color in the U.S., and thus even the class status and degree of self-esteem of those Dahmer murdered cannot be said to be extrinsic to race. [...]

7 Schwartz (1992), 53-34; Baumann (1991), 205, 265.

While authorities and the media learned to avoid making overt references to Dahmer's sexual orientation in their official portrayals of him, Dahmer himself made use of what we might call gay rights strategies as his career as a serial killer gained momentum. These actions, along with the media's delayed coverage of Dahmer's sexual orientation, highlights the inadequacies and potential social hazards of the neoliberal gay rights rhetoric.

Racialization of Sexuality (Barnard, 2000) p.72

III. Gay Rights for a Serial Killer

While legal and media figures learnt not to explicitly remark on Dahmer's gayness in their official representations of him, Dahmer himself invoked what we might think of as gay rights strategies (i.e., strategies that share discursive space with the liberal logic of gay civil rights and identity politics) in the course of his growing momentum as a serial killer and his consequent run-ins with and escapes from the law. As with the media's belated ignoring of Dahmer's gayness, these practices suggest the limitations and dangers of a liberal gay rights discourse.9

9 One of the few Dahmer texts that does point to societal homophobia as a cause of Dahmer's killings is Hirsch (1996). In his efforts to establish a larger social accountability for Dahmer, Hirsch also delineates the continuities between the Dahmer phenomenon and other social discourses. However, in his zeal to claim Dahmer's victimhood, Hirsch does not account for what might be read as Dahmer's cynical deployment of the same gay rights discourse that informs Hirsch's article. Hirsch also does not develop any theory of race in the Dahmer case, though he does several times mention the races of the men Dahmer killed.

He used his gayness to his advantage. When convicted of sexual assault in the enticing of a child for immoral purposes in 1989, he came out to the judge afterwards.

Racialization of Sexuality (Barnard, 2000) p.73

Commentators have bemoaned the fact that Dahmer had so many brushes with an incompetent or unobservant legal system and with other state officials (a probation officer, for instance) prior to his final arrest, and yet was able to continue killing. If the law and the others had been more vigilant and more conscientious, this argument goes, Dahmer might have been caught sooner, and several lives could have been saved. In one such early encounter, Dahmer was convicted of sexual assault and of enticing a child for immoral purposes in 1989.10 In his remarks to the judge successfully soliciting the judge's leniency, Dahmer came out: he told the judge that he was gay.11 In a chillingly magnified version of this plea two years later, Dahmer came out to two police officers who were summoned by neighbors when a drugged fourteen year old Konerak Sinthasomphone escaped from Dahmer's apartment. The policemen returned Sinthasomphone to Dahmer's custody and left the scene after Dahmer convinced them that Sinthasomphone was his adult lover.12 Dahmer killed Sinthasomphone shortly afterwards.

10 Davis (1992), 303. 11 Schwartz (1992), 69; Davis (1992), 99; Baumann (1991), 74; Norris (1992), 182. I am not, of course, here using the language of Schwartz, Davis, Baumann, and Norris, none of whom quote Dahmer directly, and all of whom use the word "homosexual" rather than "gay," some also adding that Dahmer's homosexuality was a "sexual problem". 12 Davis (1992), 137.

The judge sentenced him to five years' probation and one year in the House of Corrections, with work release permitted in order so that he wouldn't lose his job. At this point, he had already killed five people. He would kill twelve more before finally being caught and convicted.

Jeffrey Dahmer (Wikipedia, 2022) Late 20s and early 30s: subsequent murders, Intermediate incidents, ¶ 10

On May 23, 1989,[130] Dahmer was sentenced to five years' probation and one year in the House of Correction, with work release permitted in order that he be able to keep his job. He was also required to register as a sex offender.[135]

  1. Dvorchak & Holewa 1992, p. 63.
  2. Dahmer 1994, p. 138.

In 1978 he had killed Steven Mark Hicks, an 18 year old. By Dahmer's admission, he was bludgeoned with a dumbbell and strangled to death before being dismembered. Remains were pulverized and scattered behind Dahmer's childhood home.

Jeffrey Dahmer (Wikipedia, 2022) Victims, 1978

1978

June 18: Steven Mark Hicks, 18. Last seen hitchhiking to a rock concert in Chippewa Lake Park in Bath, Ohio.[316] By Dahmer's admission, what caught his attention to Hicks hitchhiking was the fact that the youth was bare-chested. He was bludgeoned with a dumbbell and strangled to death with this instrument before being dismembered. Remains pulverized and scattered in woodland behind Dahmer's childhood home.

  1. Norris 1992, p. 89.

In 1987, he killed Steven Walter Tuomi. His body was dismembered in the basement of Dahmer's grandmother's house and the remains discarded in the trash.

Jeffrey Dahmer (Wikipedia, 2022) Victims, 1987

1987

November 20: Steven Walter Tuomi, 25. Killed in a rented room at the Ambassador Hotel in Milwaukee. Dahmer claimed to have no memory of murdering Tuomi, yet stated he must have battered him to death in a drunken stupor. His body was dismembered in the basement of Dahmer's grandmother's house and the remains discarded in the trash. No remains were ever found.[317]

In 1988, he killed two menmen?, James Edward Doxtator, a 14 year old, and Richard Guerrero. In 1989, he killed Anthony Lee Sears. After the murder, Dahmer preserved his skull and genitals in a filing cabinet.

Jeffrey Dahmer (Wikipedia, 2022) Victims, 1988-1989

1988

January 16: James Edward Doxtator, 14. Met Dahmer outside a gay bar in Wisconsin. Doxtator was lured to West Allis on the pretext of earning $50 for posing for nude pictures. Dahmer strangled Doxtator and kept his body in the basement for a week before dismembering him and discarding the remains in the trash. No remains were ever found.

March 24: Richard Guerrero, 22. Drugged and strangled in Dahmer's bedroom at West Allis. Dahmer dismembered Guerrero's corpse in the basement, dissolved the flesh in acid and disposed of the bones in the trash. He bleached and retained the skull for several months before disposing of it.[318] No remains were ever found.

1989

March 25: Anthony Lee Sears, 24. Sears was the last victim to be drugged and strangled at Dahmer's grandmother's residence; he was also the first victim from whom Dahmer permanently retained any body parts.[319] His preserved skull and genitals were found in a filing cabinet at 924 North 25th Street following Dahmer's arrest in 1991.[320]

  1. Masters 1993, p. 120.
  2. "Dahmer Charged in Eight Deaths". Sun Journal. August 7, 1991. Archived from the original on November 3, 2021. Retrieved December 5, 2013.
  3. Masters 1993, p. 7.

In 1990, he killed Raymond Lamont Smith, Edward Warren Smith, Ernest Marquez Miller, and David Courtney Thomas on September 24th. In 1991, he killed Curtis Straughter [abrupt cut - on screen it says he died February 17, but he actually died February 18.], Errol Lindsey on April 7th, Tony Hughes on May 24th, Konerak Sinthasomphone on May 27th, Matt Turner on June 30th, Jeremiah Weinberger on July 5th, Oliver Lacy on July 15th, Joseph Bradehoft on July 19th, and then was finally arrested on July 23rd.

Does this sound like the man anyone, let alone teenage girls, should be lusting over? Having a thing for serial killers isn't new, and it hasn't risen up just because of shows on Netflix. There are several online communities, such as blogs and message boards, where fans of serial killers like Bundy and Dahmer and Richard Ramirez and others express their adoration for these individuals, as if they may be a pop star. However, as evidenced by the statements made by the families of Dahmer's victims, and the show's proclivity for trying to understand the killer rather than to tell the stories of his victims simply because the killer was a moderately attractive white man, maybe adaptations of these stories can arguably create more harm than good.

This is much worse than the situation with Killing Stalking because although the thirst was and is real for Oh Sangwoo, he, like Hannibal Lecter before him, was a fictional character who never actually hurt anyone. The creation of an artist is a commentary on our willingness to forgive nearly anything if someone is attractive. But Dahmer was real, and his victims were real, and the pain their families suffered still is very much real.

So maybe the next time a producer greenlights a movie or streaming series about a notorious serial killer, perhaps they should refrain from playing armchair psychologist, pretending that their movies or series can give some new insight into the killer that hasn't already been gleaned by criminal psychiatrists long before now. And instead, focus on the people whose lives they took. They are the people we really ought to remember.

tobicat

James says all this, but he treats the victims like an afterthought throughout the video. He gives lipservice to the pain of their families, but all he really does is read out the victims' from a Wikipedia article and tells us nothing about them except for how they died. The only thing that people will remember from watching this video is the misogyny.

So, I'd like to gather stories from the victims and their families, concentrating not on the brutality of the murders but on the vibrant lives that the victims lived, and also focusing on the families' experiences in the following years. I found some here

[Patron names roll over somber but hopeful music.]

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